Biography


A bluebird visits the shakuhachi workshop and Tweets:
"His flutes are pretty good, but his playing is for the birds!"

Tai Hei Shakuhachi are made by Monty H. Levenson who maintains workshops at his home in the hills of Mendocino County, California as well as in Japan at the small farming village of Kitagawa (Tokushima Prefecture) on Shikoku Island. Monty has been making shakuhachi continuously since 1970.

In 1984, Monty developed the Precision Cast Bore technology, enabling him to create affordable, high-quality shakuhachi made of bamboo. Tai Hei Shakuhachi are now being used by traditional teachers in Japan for their students and professional musicians worldwide as their personal instruments. Since its inception, innovative new method of making high quality shakuhachi has been widely emulated by makers throughout the world. In 1992, Monty trained master craftsman Masuda Shuho in this process and helped to retool his workshop in Kawasaki, Japan. This partnership was cut short by Masuda’s untimely passing in 2000.

While self-taught as a maker, Monty Levenson has collaborated extensively with many prominent players and craftsmen. He works closely with John Kaizan Neptune whose pioneering research into the acoustical physics of the shakuhachi has been incorporated into the precision cast bore and jinashi flutes he makes. Monty has also learned all aspects of harvesting and curing madaké bamboo from Nakamura Ginetsu, a maker in Osaka for ov5r 40 years, and one of the last remaining craftsmen in Japan harvesting all of his own bamboo. Monty has also teamed up with Roderic Cameron, one of the world’s premiere makers of European Baroque flutes, to develop technologies related to the replication of historical and modern instruments. These endeavors have resulted in a unique laser tracking lathe as well as a computer interface for measuring interior bore profiles with the utmost accuracy.

2002 witnessed a number of breakthroughs at Tai Hei Shakuhachi including the manufacture of jinashikan — long, natural bore instruments — and the Shakulute or shakuhachi headjoint for the silver flute.

In 2004, Tai Hei Shakuhachi Publishing was officially launched with the aim of preserving and expanding access to information outside of Japan on shakuhachi craftwork and the honkyoku tradition. Several books, translations of rare masterworks, sheet music, instructional guides, CDs and DVDs are produced and published at the Tai Hei Shakuhachi workshop in Willits, California.

Tai Hei Shakuhachi are made by Monty H. Levenson who maintains workshops at his home on String Creek in the coastal foothills of Mendocino County, 10 miles NE of Willits, California, as well as in Japan at the small farming village of Kitagawa (Tokushima Prefecture) on Shikoku Island. Monty has been making shakuhachi continuously since 1970. The name Tai Hei is derived from "Tai Heiyo Gawa" or the Pacifc Rim. Both Monty and his wife Kayo, an integral part of this family enterprise, have a leg firmly planted on either side of the Pacific Ocean.

In 1984, Monty developed the Precision Cast Bore technology, enabling him to create master-level shakuhachi flutes as well as affordable high-quality student instruments. Tai Hei Shakuhachi are now being used by traditional players and teachers in Japan and professional musicians worldwide as their own personal instruments. Since its inception, this innovative new method for making shakuhachi has been widely emulated by makers throughout the world. In 1992, Monty trained the late master craftsman Masuda Shuho in this process and helped to retool his workshop in Kawasaki, Japan, and is now sharing his knowledge with aspiring young makers in the USA, Japan, and China.

While self-taught as a maker, Monty Levenson has collaborated extensively with many prominent players and traditional craftsmen around the world to help forge a synthesis of traditional and modern high tech approaches to shakuhachi making. He has worked closely with John Kaizan Neptune, one of the most respected musicians and composers in Japan, whose pioneering research into the acoustical physics of the instrument has been incorporated into the Tai Hei's Precision Cast Bore technology. Monty has learned all aspects of harvesting and curing madaké bamboo, traditionally used for shakuhachi, from Nakamura Ginetsu, a maker in Osaka for over 50 years, and one of the last remaining craftsmen in Japan to harvest all of his own bamboo. He has also teamed up with Roderic Cameron, one of the worldÕs premiere makers of 19th Century European Baroque woodwinds, to develop technologies related to the replication of historical and modern instruments. These endeavors have resulted in a unique laser tracking lathe, of which there are only two in the world, as well as a computer interface for measuring interior flute bore profiles with the utmost accuracy.

2002 witnessed a number of breakthroughs at Tai Hei Shakuhachi including the manufacture of ancient-style jinashi chokan (very long, natural bore instruments) and the Shakulute, a shakuhachi headjoint adapted for the Western silver flute that has become very popular in Japan and around the world.

In 2004, Tai Hei Shakuhachi Publishing was officially launched with the aim of preserving and expanding access to information outside of Japan on shakuhachi craft techniques and the Zen-inspired honkyoku musical tradition. Several books and translations of rare masterworks, collections of sheet music, instructional guides, CDs and DVDs are produced and published at the Tai Hei Shakuhachi off-the-grid workshop in Willits, California.


Tai Hei Shakuhachi Workshops

Willits, California USA

 Tai Hei Shakuhachi's Workshop
is totally
Off-the-Grid

and powered by electricity that is sustainable, clean and environmentally-friendly. All shakuhachi are made with energy produced on an independent home power system utilizing solar and hydro-electricity. This web site is being brought to you by the sun and the rain.


The Levenson Family



Kayo, Anna, Monty, Mei, Yukon, Eda
New Year (2017)

Monty, Anna, Eda, Kayo, Mei, Yukon, Naoko & Yuna
New Year (2015)



Mei, Anna, Eda, Yukon

New Year (2017)

The Levenson Family in Japan
Yukon, Kayo, Mei, Eda, Monty & Anna
(1995)

Thanksgiving (2008)

Thanksgiving (2005)

Anna & Eda (1992)

Grandpa Monty & Grandma Kayo with Yuna-chan
Anna, Yukon & Naoko (2010)

Eda, Kayo, Monty & Anna (2002)

The Levenson Family
Monty, Yukon, Mei, Kayo,
(1984)

 

The Levenson Family in Tokushima (2009)

Bachan & Jichan (Grandma & Grandpa)
Kikue & Akiyuki Kaname (1999)



Naoko
& Yuna (2011)



Grandpa & Yuna (2012)

Yuna (2012)

The Late Ninja, our One-Eyed Cat.
Funky is beautiful!

 

My New Apprentice (2011)

 

The Late Ume-chan, the Shakuhachi Workshop Cat.
Stood guard for over 20 years.


Read Blowing Shakuhachi Interview with Monty H. Levenson

Willits News Article


Tai Hei Shakuhachi Catalog
Shakuhachi: The Sound of Nature
Origins & History of the Shakuhachi
Bamboo Used for Shakuhachi
Precision Cast Bore Technology

Models of Shakuhachi
Professional Root-End Shakuhachi
Jinashi - Natural Bore Flutes
Advanced Student Level Shakuhachi

Student Level Shakuhachi
Meditation Shakuhachi

Shakuhachi Headjoint for the Silver Flute
Traditional Styles
How Shakuhachi are Graded
Binding
Guarantee
Flute Accessories
Shakuhachi Repair & Restoration
Frequently Asked Questions
Endorsements
Free Evaluation
Biography

Price List of Shakuhachi Flutes

In Stock & Currently For Sale
Precision Bore Shakuhachi
Jinashi - Natural Bore Shakuhachi
How to Order

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