Two-Piece Shakuhachi:
Nakasuké Care

Proper Procedure for Separating & Re-Joining

• The nakasuké or middle joint of a two-piece shakuhachi requires attention and care to be properly maintained. This mortisse-and-tenon-type union is precisely proportioned to within a few hundredths of a millimeter in order to fit properly. Since it is made solely of bamboo and lacquer, the nakasuké will swell and shrink with changes in temperature and humidity causing the joint to feel tight or loose during different seasons of the year. If too tight, the lacquer will wear excessively; if too lose, the shakuhachi may leak air and become unplayable.

• It is very important to join and separate the two halves of your shakuhachi in the correct manner. Never twist when putting together or taking apart the two sections of your instrument. The proper techniques are printed on the reverse side of this sheet.

• If the nakasuké of your shakuhachi begins to feel tight, simply coat the tenon and socket lightly with petroleum jelly. Wipe off the excess. After aligning the two halves of the flute, partially insert the tenon into the female end of the joint, then slap the root end of the shakuhachi firmly until the sections are fully joined. If they fail to come completely together, do not force them to do so. This means that the nakasuké needs to be resized by a professional shakuhachi maker.

• Lubricating a tight nakasuké joint will often cause it to feel too loose. In this case, remove some of the lubricant with a paper towel or cloth and try again. Through trial-and-error you will be able to determine the right amount of lubricant to apply. A very fine film of petroleum jelly is often all that is needed. Nakasuké Lubricant

• It is very common for the nakasuké to become loose over time. A temporary solution is to shim the joint by adding a piece of scotch tape to the tenon or alternately wrap a piece of cigarette paper around it. A permanent fix requires relacqering and should be done only by a professional maker. The lacquer traditionally used to build up a nakasuké is called urushi. Urushi is very hard, but also very toxic and difficult to work with since it requires heat and moisture to cure. Do not use other synthetic materials such as epoxies or cyanoacrylates as alternates. They are not hard enough and will cause permanent damage to the joint.

• It is fine to keep the two sections of your shakuhachi joined when not being played. This will cut down on excessive wear of the nakasuké. The joint itself is used in making traditional shakuhachi since it provides the maker easier access to the interior of the bamboo when fabricating a precision bore. It also allow the madaké to be altered so that it conforms to the traditional aesthetic for shakuhachi. A section of the raw bamboo is often removed at the nakasuké joint for sizing purposes. While two-piece instruments have the advantage of being broken apart for traveling, nobekan or one-piece shakuhachi, have none of the problems discussed above.


Tai Hei Shakuhachi Catalog
Shakuhachi: The Sound of Nature
Origins & History of the Shakuhachi
Bamboo Used for Shakuhachi
Precision Cast Bore Technology

Models of Shakuhachi
Professional Root-End Shakuhachi
Jinashi - Natural Bore Flutes
Student Level Instruments
Meditation Shakuhachi

Shakuhachi Headjoint for the Silver Flute
Traditional Styles
How Shakuhachi are Graded
Binding
Guarantee
Flute Accessories
Shakuhachi Repair & Restoration
Frequently Asked Questions
Endorsements
Free Evaluation
Biography

Price List of Shakuhachi Flutes

In Stock & Currently For Sale
Precision Bore Shakuhachi
Jinashi - Natural Bore Shakuhachi
How to Order

Arrow Tai Hei Shakuhachi Homepage
Arrow Main Menu